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Ron Jones (composer) : ウィキペディア英語版
Ron Jones (composer)

Ron Jones (born Kansas City, Kansas July 7, 1954) is an Emmy and Grammy nominated American composer who has written music for TV shows, including ''Star Trek: The Next Generation,'' ''Duck Tales'', ''American Dad!'', and ''Family Guy''. He composed the theme for Nickelodeon's ''The Fairly OddParents'' with series creator Butch Hartman, and the music for the show's pilots.
==Early Life and Career==
Ronald Jones was born in Kansas City, Kansas. After receiving a degree in music composition and music theory, he moved to Los Angeles, California, to enroll in the Dick Grove School of Music.〔Ron Jones; Internet Movie Database, (); Accessed: 11 October 2009〕 He studied under Academy Award- and Emmy Award-nominated composer Lalo Schifrin, which came about when Schifrin asked Jones to copy a concerto for guitar and orchestra.〔"Ron Jones Interview;" Reel Cool, (); Published: 7 August 2008; Accessed: 11 November 2015〕
While attending Dick Grove, Jones composed an NBC Movie of the Week and began scoring television series produced by Hanna-Barbera. In addition to writing the music for hundreds of episodes of Hanna-Barbera cartoons, Jones also arranged and composed the theme songs to such Hanna-Barbera shows as Smurfs and The Snorks.
After five years at Hanna-Barbera, Jones left to work with the composing team of Mike Post and Pete Carpenter. While scoring for Post and Carpenter, Jones worked on such popular television series as The A-Team, Magnum, P.I., and Hardcastle and McCormack. The latter series starred two future Star Trek alumni in the title roles: Brian Keith as Judge Milton C. Hardcastle, and Daniel Hugh Kelly as Mark "Skid" McCormack.
In 1987, Jones was recruited by Chris Montan, the head of Disney Music, to compose the music for Disney's first syndicated cartoon series, DuckTales. Montan was impressed with Jones' work during a session on a Hanna-Barbera cartoon and admired the composer's philosophy to respect the intelligence of the audience rather than creating a "patronizing" or "cute" score that would play down to them. Jones accepted Montag's request to score DuckTales, which became one of the most successful animated programs of all time. Jones worked on DuckTales through 1988, during which time he composed, conducted, arranged, and orchestrated various memorable cues and themes which were reused throughout the show's two-season run.

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